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how to draw leaves on a tree

Written By Friday, February 11, 2022 Add Comment Edit

A leaf is a cute symbol of nature and alternation of seasons. Some leaves accept a simple shape that is so piece of cake to depict; some demonstrate a very complex outline.

If you're wondering how to deal with those intricate shapes, this tutorial is merely for you!

We'll notice four examples of natural sophistication: a maple leaf, an oak leaf, a fig leaf, and a four-leafage clover.

What You lot Volition Demand

To complete this tutorial, you'll need the following equipment:

  • an HB graphite pencil
  • a 3B graphite pencil
  • an eraser
  • drawing paper
Art supplies for this project Art supplies for this project Art supplies for this project

1. How to Draw a Maple Leaf

Stride 1

With an HB pencil, I draw the core line of the leafage and the extension for its petiole (a leaf's stalk).

I mark the tiptop and bottom borders of the leaf.

Drawing the core lines Drawing the core lines Drawing the core lines

Pace 2

I draw six directional lines of the leaf'southward veins. The core line is also a reference for the cardinal vein (the midrib).

Drawing the veins of the leaf Drawing the veins of the leaf Drawing the veins of the leaf

Step 3

To design a maple leaf shape, nosotros take to start with a framework.

I add two points on each side of the midrib. Then I create a shape that resembles an irregular rhombus; information technology connects the base of the leaf, its key tip, and 2 points in the upper part of the form.

Drawing the first core segment Drawing the first core segment Drawing the first core segment

Step iv

I create ii more shapes every bit we did in the previous footstep. The only deviation is that the side shapes are articulation with the cardinal construction.

The sides of each shape are not equal, and this is washed on purpose. A maple foliage has symmetrical features, merely information technology always has some deviations or imperfections.

Adding two core segments Adding two core segments Adding two core segments

Step 5

I draw ii more than shapes, post-obit the aforementioned logic.

Adding new segments to the shape Adding new segments to the shape Adding new segments to the shape

Step 6

I add ii notched elements on the lesser part of the leaf. They complete the core framework.

Adding two smaller elements Adding two smaller elements Adding two smaller elements

Stride 7

I draw the lobes of the central part of the foliage, starting with three of them…

Drawing two lobes of the first segment Drawing two lobes of the first segment Drawing two lobes of the first segment

… and and then adding ii more lobes slightly below.

Don't be afraid to deviate from the initial framework; information technology is our reference and not a rigid restrictor.

Adding two lobes to the first segment Adding two lobes to the first segment Adding two lobes to the first segment

Step viii

I add together five lobes of the next segment.

Some lobes are sharper and longer; the diversity is necessary when it comes to drawing natural forms.

Drawing the lobes of the second segment Drawing the lobes of the second segment Drawing the lobes of the second segment

Step 9

I draw the lobes of the third segment.

Adding the lobes of the next segment Adding the lobes of the next segment Adding the lobes of the next segment

Step 10

The next ii segments are relatively small. They have iv pronounced lobes.

I refine the office of the leafage that is on the left side.

Pace 11

Now I draw the lobes of the fifth segment.

Adding the lobes to the fifth segment Adding the lobes to the fifth segment Adding the lobes to the fifth segment

Pace 12

I refine the shapes of the lower, additional parts of the leaf. They commonly have but 1 pronounced lobe each (less often, they accept two).

Completing the contours of the leaf Completing the contours of the leaf Completing the contours of the leaf

Footstep xiii

I erase all the subsidiary lines, leaving simply the contours of the maple foliage.

The shape of the maple leaf The shape of the maple leaf The shape of the maple leaf

It's fourth dimension to draw the pattern of the secondary veins that are going from the primary veins to the sides. I start with the central vein, the midrib.

Some veins are longer and thicker; they usually go towards the lobes.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Step 14

I add the secondary veins to all of the chief veins of the leaf.

Completing the pattern of secondary veins Completing the pattern of secondary veins Completing the pattern of secondary veins

Stride 15

I add the tertiary veins that are branching from the secondary veins; they are barely visible.

Don't describe all the minor elements; our task is to create just a hint at the details.

Adding more barely visible veins Adding more barely visible veins Adding more barely visible veins

Stride 16

Allow'south make our sketch more realistic. I add the hatching to the sides of the foliage, using the HB pencil.

I as well darken the spaces between the primary veins and the veins themselves. Then I add some thickness to the petiole.

Shading the leaf Shading the leaf Shading the leaf

Footstep 17

I add more than hatches, making the leaf more than contrasting.

Darkening the leaf drawing Darkening the leaf drawing Darkening the leaf drawing

Pace 18

I evaluate my drawing; information technology feels just a flake unnatural or maybe too perfect. To fix that, I add a blueprint of semicircles and thick strokes, using the 3B graphite pencil.

Now the cartoon looks like a fallen fall leaf!

Adding the imperfections Adding the imperfections Adding the imperfections

two. How to Describe an Oak Leaf

Step one

With the HB pencil, I depict the core line of the leaf (it will be the reference for the midrib) and mark its borders.

Drawing the core lines of the leaf Drawing the core lines of the leaf Drawing the core lines of the leaf

Step 2

I draw an uneven shape that resembles an egg. This shape will assistance u.s. to design the foliage.

Adding the core shape Adding the core shape Adding the core shape

Pace iii

I mark the borders of the leaf'due south lobes. Oak leaves unremarkably have a considerable asymmetry, so feel costless to be as creative equally you wish.

Drawing the marks for the lobes Drawing the marks for the lobes Drawing the marks for the lobes

Step 4

I refine the midrib and describe the secondary veins.

Drawing the veins Drawing the veins Drawing the veins

Pace five

I work on the upper part of the leaf, outlining the petiole and drawing the first pair of lobes.

Refining the top of the leaf shape Refining the top of the leaf shape Refining the top of the leaf shape

Step 6

I depict three lobes on the left side. The lobes ofttimes take small-scale additional curves that make the shapes unique and even more attractive.

Drawing three lobes on the left side Drawing three lobes on the left side Drawing three lobes on the left side

Step 7

I outline three lobes on the right side of the foliage.

Adding three more lobes Adding three more lobes Adding three more lobes

Stride 8

I piece of work on the lesser role of the oak leaf, adding three rounded lobes.

Refining the shape in the bottom part Refining the shape in the bottom part Refining the shape in the bottom part

Step 9

I draw the design of the tertiary veins; they are very calorie-free and relatively short.

Adding the net of veins Adding the net of veins Adding the net of veins

Step 10

With the HB pencil, I darken the veins and the areas between the lobes.

Shading the artwork Shading the artwork Shading the artwork

Step 11

I apply a layer of light hatching, using the HB pencil, and shade the sides of the leafage.

The drawing is complete!

Completing the oak leaf drawing Completing the oak leaf drawing Completing the oak leaf drawing

3. How to Depict a Fig Leaf

Stride 1

With the HB pencil, I draw the cadre line of the leaf and mark its borders, including the boundary between the stalk and the petiole.

Drawing the core lines Drawing the core lines Drawing the core lines

Step ii

I refine the shape of the petiole. I also add the kickoff segment of the leaf—information technology has a peculiar course.

Fig leaves are symmetrical, and then we'll draw the left half outset then recreate it on the right side.

Drawing the first segment of the leaf Drawing the first segment of the leaf Drawing the first segment of the leaf

Step 3

I draw the secondary vein and outline the second segment of the leaf, using an organic, uneven profile. This office is longer and bigger than the first one.

Pay attention to the sinus of the fig foliage; our job is to brand information technology pronounced.

Adding the second segment of the leaf Adding the second segment of the leaf Adding the second segment of the leaf

Stride four

I draw the bottom segment of the fig leafage. It ends with a pointed tip.

Completing the contour of the half Completing the contour of the half Completing the contour of the half

Step 5

I depict another function of the leafage, trying to make it every bit close to the existing one equally I can. Even so, if you lot allow some imperfections, it won't ruin your artwork.

Drawing the other half of the leaf Drawing the other half of the leaf Drawing the other half of the leaf

Step half-dozen

I add several more pairs of secondary veins.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Pace seven

I draw a net of thin tertiary veins. This volition add credibility to the sketch.

Adding the tertiary veins Adding the tertiary veins Adding the tertiary veins

Stride 8

Fig leaves are relatively dark; their texture is smooth and velvety. To create an illusion of this texture, I use soft strokes with the 3B pencil.

I starting time with 1 side of the leaf, darkening the central part and the sides. The midrib and the secondary veins of a fig leaf should remain lite.

Shading the fig leaf Shading the fig leaf Shading the fig leaf

Step 9

I apply the3B soft pencil strokes to the sides of the blade, creating an illusion of small folds.

Working on the relief of the leaf Working on the relief of the leaf Working on the relief of the leaf

Step ten

I continue calculation soft graphite strokes. The transition of value in the drawing should exist smooth.

Completing the fig leaf drawing Completing the fig leaf drawing Completing the fig leaf drawing

4. How to Draw a Iv-Leafage Clover

Pace 1

In this office of the tutorial, we'll be working on a wonderful symbol of good luck: the iv-leaf clover. Sounds similar fun, doesn't it?

I marker the cardinal point of the shape and add together two directional lines with the borders.

Drawing the core lines Drawing the core lines Drawing the core lines

Step 2

I describe a tear-shaped element of the outset foliage…

Drawing the first element of this shape Drawing the first element of this shape Drawing the first element of this shape

... and so add the remaining leaves. Some elements may overlap the others.

Completing the sketchy shape Completing the sketchy shape Completing the sketchy shape

Step three

I refine the shape of the leaves, making the angular dents. The shapes resemble hearts at present.

Refining the leaves Refining the leaves Refining the leaves

Step 4

I mark a pattern of the leaves; this detail will make the drawing more interesting and apparent.

Drawing the pattern Drawing the pattern Drawing the pattern

Step 5

I erase the borders of the pattern—we need to keep it light and blurry. Then I add a subtle net of sparse veins and darken the cores of each leaf.

Adding the details Adding the details Adding the details

Step 6

I use a light hatching to the leaves, using the HB graphite pencil. To fill the place of the pattern, I draw minor semicircles.

Applying the base layer of hatching Applying the base layer of hatching Applying the base layer of hatching

Pace 7

I darken the leaf with soft strokes, using the 3B pencil. You tin utilize a hatching or random scribbly strokes for that.

Adding the hatching with a softer pencil Adding the hatching with a softer pencil Adding the hatching with a softer pencil

Step 8

I increment the contrast even more, adding the 3B pencil strokes to the tips of the leaves and accenting the drop shadows from the neighboring leaves.

Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover

Your Drawings Are Complete

Congratulations—we've created four beautiful graphite pencil sketches! I promise you lot were inspired by the leaves and enjoyed the process of drawing.

For do, I recommend that yous effort getting some real leaves (or other objects) and making your own sketches. Information technology will help you to develop your observation skills and understand the principles of shading with graphite pencils much improve.

Allow your creative journey be fruitful and full of joy!

The result The result The result

Source: https://design.tutsplus.com/tutorials/how-to-draw-a-leaf-step-by-step--cms-29685

Posted by: kirbythimakeent.blogspot.com

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